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#2312 $2,950
Battenberg lace trained skirt & jacket, c.1905. Battenberg lace garments convey a sense of style,
distinction, and natural refinement. Here the skirt, quite smooth over the hips, is fuller in back,
ending with a graceful train. The bolero-style jacket, open in front below the button, has three-quarter-length
sleeves and is shorter in back. This superb wearable ensemble will also appeal to collectors because
of the large, varied motifs pleasingly arranged. NEW LISTING |
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#2303 $1,600
Princess lace trained skirt, c.1905. The lavishly embellished skirt has everything you could want
in an Edwardian garment: abundant ruffles, romantic lace, and a long train. The handwork is truly
exceptional. The three dimensional design with the small flowers on the center-front panel is particularly
noteworthy. The curling tendrils have the exquisite delicacy of true artistry. NEW
LISTING |
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#2301 $2,200
Floral lamé peignoir, early 20th century. The gold lamé fabric of the peignoir was
warp printed to create the soft watered floral effect. The burnished glow of the metallic cloth is
artfully accented by the subtle pastels of the flowers— Impressionism in costume art.
We sense the changing quality of light as it illumines the flowers. The conscious exoticism, indeed Japonism (kimono-style
sleeves) of the peignoir is quite entrancing. NEW LISTING |
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#4013 $2,500
Belgian mixed princess lace jacket, c.1900. The hand-assembled jacket ingeniously combines shaped
princess lace petals, straight tape lace, fancy work fill, and Irish crochet medallions with tassels
in an artfully textured design. With the gracefully flared back and open back vent, the cream colored
jacket epitomizes the stylish elegance of the early Edwardian period. NEW
LISTING |
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#4022 $750
Eyelet linen petticoat, c.1900. Fashioned from robin's egg blue linen embroidered with oval-shaped eyelets. Two bands of gold satin ribbon, threaded through ivory lace, separate the body of the petticoat from the hem flounce with an elaborate cutwork design backed with olive linen. The unusual color combination and exceptional embellishment make for arresting design. NEW LISTING |
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#2304 $1,500 Sold
Hand-embroidered tea dress, c.1914. Fashioned from sheer cotton batiste and panels of cotton lace.
The graceful style flatters most figures. I love the aesthetic contrast of the diminutive scale of
fine Appenzell embroidery to the inserts of Irish crochet lace. The genteel refinement of the
former is the perfect frame for the lively beauty of the latter. NEW LISTING |
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#2314 $1,950
Embroidered tulle/lace wedding dress, early 1900s. Embroidered with Neoclassical soutache designs:
the magnificent central daisy on the front is like a brilliant star that crowns the design. The over
bodice, which forms a cape collar in front, is embellished with lace appliqués. The long,
slender ruched sleeves end in ruffles at the wrist. The skirt, fitted smoothly over the hips, forms
a graceful train in back. Heirloom quality design and handwork! NEW LISTING |
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#2305 $1,275 Sold
Lord & Taylor hand-embroidered tea dress, c.1918. Fashioned from sheer cotton voile lavishly
hand embroidered with raised flowers of padded satin stitch and French knots. All the elements
combine to produce an harmonious whole, a superb monochromatic design—a treasure of early
handwork! NEW LISTING |
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#4042 $950 Reserved
Touring hat & protective goggles, c.1910. For the vintage car enthusiast, this set has real
vintage cachet and would be perfect for your next grand road tour! NEW
LISTING |
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#4000 $3,500
Orientalism-inspired wool coat, c.1912. This brilliant coat features wide kimono sleeves, a high stand-up collar,
and a straight cut. The black cloud-form pattern, borrowed from Chinese porcelain designs, is embroidered with
curled wool yarn and outlined with black cord. As exciting and wearable today as 100 years ago, this stunning
coat is a peerless exemplar of Orientalism in fashion. |
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#2313 $1,600
Princess lace tea dress, c.1910. Fashioned from white cotton tulle hand appliquéd with bouquets of princess
lace flowers. The graceful neckline is framed with a wide Bertha collar of lace. The simple, yet intriguing,
abstract floral design has a pleasing symmetry: the mesmerizing appeal draws the viewer into the mystery of
the eternal feminine. |
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#2297 $650
French sequined lamé evening bag, c.1900. Fashioned from bronzed beige lamé and lined with ecru
silk moiré. The exterior is embellished with bronze metallic soutache and sequins. The bag is attached
to a gold tone filigree frame set in front with mother-of-pearl "jewels" and faux pearls. The gilded
Edwardian richness is to die for! |
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#4010 $2,400
Irish crochet lace/tulle dress, c.1910. Featuring fabulous Irish crochet embellishment
and rows of the narrow tucks so beloved by the Edwardians. The Irish crochet lace has
all the attributes favored by serious collectors: unusual large medallions in the lace pattern; a
variety of floral motifs; and a pleasing arrangement of the three dimensional motifs. |
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#c364 $1,400
Velvet/metallic brocade evening cape, c.1915. The rich ruby red and the semi-abstract floral design make an
indelible impression on the eye of the viewer. On close examination, it is the burnished gold, running through
the piece, that epitomizes the design.
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#4012 $1,950 Reserved
Irish crochet lace coat, c.1900. The easy-to-wear coat features wide, roomy sleeves and open vents at the sides and center-back with no front closures. The unique decorative rope lacing, ending in large crocheted balls, gives the coat a special distinction. With its gracefully defined shape, this stylish coat epitomizes the refinement and elegance of the early Edwardian period. |
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#4021 $950
Silk chiffon nightgown, c.1910. Featuring panels of handmade filet lace, delicate floral lace, and
silk ribbon rose buds. The seductive allure and delicate femininity of the floral lace,
as it adorns and caresses your body, will not be lost on the man in your life. |
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#2286 $500
Hand-embroidered petticoat, c.1910. The cut is straight with deep slits on the sides. The bottom is bordered
with hand-embroidered flowers, cutwork, lace inserts, and ruffles. In the carefully worked out design, strong
rectilinear forms contrast with feminine curvilinear forms of great delicacy and refinement. |
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#4003 $2,800 Sold
Embroidered/beaded velvet coat & hat, c.1917. Fashioned from sensual silk velvet, the ensemble is a remarkable
example of the spectacular color and exotic decoration that came into vogue in the Teens. Both pieces are embroidered
with a grid of bronze metallic cord and faux pearl seed beads. The peacock motif has pastels set against a strong
sapphire blue, creating a design of unparalleled brilliance. |
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#4020 $1,600
Tunic-style two piece lace dress, c.1910. Fashioned from gossamer silk lace, the weightless tunic is
as comfortable as it is beautiful. The wide roomy sleeves (cut-in-one with the bodice) allow freedom of movement,
while showcasing the lace pattern, which is executed with great skill and artistry, creating a delicate floral
design of the utmost feminine allure.
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#4011 $1,400
Satin/lace trained evening dress, c.1918-1920. With the small back train, the relaxed fit, and draped style,
this exceptional charmeuse dress would be perfect for an informal wedding. The bodice is embellished with panels
of matching tamboured net lace. The panels are bordered with handmade silk Maltese lace, as are the sleeves.
The only other embellishment is the large self flower on one side of the artfully draped skirt. |
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#c338 $2,600
Chantilly lace/tulle gown, c.1905. A special find because of the unusual addition of colorful floral appliqués
and the use of black velvet bands to highlight the texture, allowing all the textural elements to stand out. |
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#1985 $1,650
B. Altman French satin tea gown, c.1900. Fashioned from heavenly lilac satin still fresh and
pretty despite of the passage of time. The style is borrowed from 18th century open robes. In this updated version,
the open front of the skirt is filled in with delicate lace where the petticoat would have been in the open
robe. Fascinating label/provenance! |
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#1379 $3,950
Doucet couture Irish lace/silk brocade evening cape, c.1905. Decorated with bands of handmade Irish
crochet lace and feather trim. Luxurious, royal lavender fabric. This evening cape is a magnificent
statement in restrained luxury from one of the greatest couture names. The decoration is minimal,
allowing full attention to the superb fabric. |
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#c215 $1,200
Lulu Glaser ivory wool jacket, c.1900. A finely detailed military-style jacket from the star's
personal wardrobe with the flair and dash expected of a famous theatrical beauty. A stunning
piece of theatrical and fashion history from 100 years ago. |
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#2010 $950 Sold
Silk nightgown, c.1915. The thematic horizontal design motif takes inspired form in the three roses
delimited by two rectangular double stripes. The overall pattern, which has a mysterious antique
fascination, is a geometric ode to love. |
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#6616 $3,200 Sold
Antique lace wedding dress & detachable veil. Custom designed from antique lace elements in the 1970s
by the bridal department at Henri Bendel. The dress is both antique and 1970s vintage ("something
old, something new.") |
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#c380 $5,950
Lucien Lelong evening cape, c.1914. This luxurious mix of velvet, satin, and lace displays
the sober and refined elegance of one of the greats of 20th century couture. The lower
portion is black satin; the upper portion is ivory velvet covered with a cape-collar of black Chantilly lace.
An important early piece that showcases Lelong's brilliant creativity in the use of fabric color and texture. |
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#6578 $450
Child's Buster Brown lace-up shoes, c.1905. The upper portion of the two-tone leather design has a matte finish;
the lower portion is shiny. Buster Brown is stamped on each sole. The name comes from the famous cartoon
character of the time, known to every child in America, as was his dog Tige. |
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#2005 $1,500
Burnous-style evening wrap, c.1900. The sheer fabric, a heavenly shade of purple silk chiffon, floats over the
body, moving with the wearer. The fine Persian-style embroidered borders add an exotic ethnic touch. |
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#6420 $525
Tambour embroidered silk purse, c.1900. Here is a treasure of handwork and detail, including the fine tambour
embroidered roses, the push-down floral clasp, and the rows of pleated ribbon. Every aspect of the design was
lovingly planned. |
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#0930 $1,600
Linen Battenberg lace coat, c.1910. High quality construction, a fine lace pattern, and a dramatic cut. I love
the flared shape and puffed sleeves. The graceful style makes it wonderfully versatile, either as evening wear
or a wedding coat. |
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#1411 $1,450
Pink silk gown, c.1905. A celebration of unabashed femininity! The winsome roseate pink and the fastidious
decoration will melt the heart of any man! |
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#1112 $1,600
Stern Brothers embroidered velvet evening cloak, c.1918. The rich silk velvet fabric falls in graceful,
full folds from the shoulder yoke. The cloak has the easy, unstructured comfort of a cape. A grand coat
from the Opulent Era! |
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#0571 $1,250
Bridesmaid's dress, c.1910. The high-waisted style (cf. Aesthetic Movement) can be worn without a corset.
The soft golden hue and natural looking floral decoration look to nature, rather than art, for inspiration. The unaffected, natural style of the dress is irresistible. |
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#0984 $650
Natural linen suit, c.1915. The kimono-style sleeves, cut-in-one with the jacket, are comfortable and easy
to wear. What an amazing tailored classic look! |
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#0253 $375
Wide brim plush hat, c.1910. Trimmed with contrasting dark and light brown ostrich plumes and a moiré taffeta
ribbon around the crown. This beauty is perfect for the collector who wants to wear her treasures. Romantic
wide brim hats from the early 20th century have enduring appeal because they frame the face of the wearer—so
chic and stylish! |
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#6418 $650
Beaded white lawn dress, c.1910 and 1935. The bodice is embellished with a medallion of handmade Brussels
lace bordered with panels of handmade Valenciennes lace. The magnificent floral design lends the dress a stately,
elegant "presence." |
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#c093 $950
Chinese informal silk coat, c.1900. Skillfully embroidered in the forbidden stitch with a mixture
of motifs, including flowers, vases, and bats. A magnificent textile! |