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#2727 $2,500 3 Fortuny cotton drapery panels, 1950s. The superb fabric was stenciled with the de Medici pattern. Although Fortuny stenciled patterns are still produced today, lovers of textile art appreciate the superior quality of his vintage pieces and value them more highly than modern versions. This exceptional find is a twofer: you get the high quality of a vintage textile without the wear in a used piece. NEW LISTING | |
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#2731 $950 Fortuny cotton stenciled Sévigné drapery panel, 1950s. Stenciled with the Sévigné pattern, based on a 17th century French design produced for Madame de Sévigné. Fortuny was repaying an artistic debt to French novelist Marcel Proust, who described Fortuny as "faithfully antique but powerfully original." The well documented Sévigné pattern can be found in the Fortuny literature. NEW LISTING | |
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#2728 $600 Reserved Fortuny cotton stenciled de Medici valence, 1950s. Stenciled with the de Medici pattern, this fabric was purchased in Italy by an American in the late 1950s and made into a window valence. The bottom is finished with a stenciled border print. The valence looks fabulous with the 3 drapery panels. NEW LISTING | |
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#c433 $975 Liberty brocaded chiffon shawl, c.1910. From Liberty of London, the firm most closely identified with Art Nouveau, the varicolored shawl features an exotic Persian-style pattern, printed and brocaded on a ground of sheer brown silk chiffon. The multi-colored, serpentine motif conveys the enigmatic allure of the East. Our gossamer shawl will not keep you warm, but you will be wrapped in beauty. | |
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#1328 $950 Hand-embroidered Chinese shawl, c. 1900. Expertly hand-embroidered with a floral pattern of satin stitch. The intense red and blue flowers are nicely set off against a pleasing peach flower. The graceful delicacy of the small flowers contrasts with the bold brilliance of the large flowers, whose dazzling verisimilitude nature herself would envy. When the magnificent design is viewed up close, you can see why Chinese hand embroidery is sought after by collectors. | |
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#2326 $975 Figural Chinese export shawl, c.1910. Two adjacent corners have scenes with Chinese figures, which have the naive charm of American folk art. The other two adjacent corners have brilliant bouquets of large and small flowers. Depending on how the shawl is folded, you can display a figural or a floral scene. Whether you wear the resplendent shawl or use it in the decor of your home, you will have a superb piece of textile art. | |
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#2661 $975 Deco lamé silk shawl, 1920s. The center panel of black satin damask is printed with colorful bouquets of lilies. The panel is set in a double layer border of black silk chiffon. The woven damask pattern is brocaded with silvery bronze metallic fibers. The exuberant Art Deco design is a celebration of color and graphic design. Here we see the influence of Fauvism (1905-1907), where vivid colors and simple flattened shapes were the dominant motifs. | |
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#c417 $950 Chinese hand-embroidered silk shawl, c.1900-1920. Exquisitely hand embroidered with large bouquets of flowers in each corner. The high relief satin-stitch embroidery showcases the soft muted shades that are the gift of Time to Art; hence the subtle, luminous hues of this antique original. The brilliant floral pattern celebrates the virtuosic use of color: the glorious burgundy-red roses with petals of carrot-orange and tan; and the surrounding steel-blue leaves edged with silver-gray. | |
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#7033 $950 Liberty printed damask shawl, early 20th century. The exotic Persian-style pattern was printed on a ground of delicate peach silk damask. The multi-colored, paisley (boteh) motif, originally borrowed from imported Kashmir shawls in the 1790s, found an enduring place in the vocabulary of European print design. The incredibly fine grained scale of the design has an effect similar to that of Pointillist painting (Georges Seurat, 1886). There is a padded Chinese floral closure, a detail often used in Liberty designs. | |
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#2481 $1,450 Deco silk print shawl, c.1925. Made from black silk crepe printed with larger-than-life stylized flowers, the brilliant shawl shows off the style in all its self-confident glory: elegant, bold, and optimistic. We can see the inspiration of Fauvism (1905-1907), where vivid colors and simple flattened shapes were the dominant motifs. The boldly graphic design plays changes on the geometric theme of the circle or disk. It is as if the great geometer Euclid had taken lessons from Pablo Picasso to design the shawl. | |
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#7034 $3,800 Minnie McLeish printed cotton panel, c.1923. The exuberant Deco design is a celebration of color and graphic design. The innovative English textile designer Minnie McLeish is best known for her bold painterly designs. The brilliant cotton panel is printed with exotic birds nestled in large-scale flowering branches. The vibrant color scheme includes shades of red, orange, yellow, purple, and green on a mottled blue ground. This masterwork shows the influence of Fauvism (1905-1907), where vivid colors and simple flattened shapes were the dominant motifs. | |
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#7284 $750 Hand-embroidered Chinese shawl, c. 1920s. Made from black silk crepe with ivory padded satin stitch embroidery, the superbly designed shawl features a graphic floral design whose compelling verisimilitude nature herself would envy. Around each plump rose trail the delicate and caressing tendrils whose subtle sinuosities intimate an enigmatic and pleasing truth that we sense but cannot understand. | |
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#7257 $750 Signed, hand embroidered jacquard shawl, 1860s. The brilliant multi-colored shawl features a cream colored wool ground signed in two places. Both signatures show when it is folded on the diagonal. The patterned jacquard borders are hand stitched to the ground. They are edged with delicate hand embroidery along the ground as well as hand-embroidered, fringed gates on the outer edge. The borders are reversed from front to back on two sides so that all borders appear the same when the shawl is folded. | |
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#7097 $475 4.3 yards black cotton lace, c.1900. The exquisite lace panel came from a wealthy New England estate. The lace, though machine made, is notable for the unique pattern, which depicts berries ripening on a tree. The design successfully combines two aesthetic principles that are often in opposition: verisimilitude and schematic representation. You will not find anything so fine in a modern lace. The original owner must have thought highly of it because it was carefully stored with many pieces of fine handmade lace. | |
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#7039 $875 Silk gauze rectangular shawl, 1810-1820. The fresh lemon hue in the resplendent shawl is like the afterglow of the sun, still illumining the horizon with its beauty two centuries later. The summer weight shawl is sheer and delicate. The two black panels are bordered with pink ribbon weave; the pink panel is bordered with turquoise ribbon weave. The floral motif is remarkably free in line, effortlessly limning the gay and sprightly feeling of a spring day. | |
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#7036 $750 Printed wool shawl, 1850s. The rare spotted motif, printed on a black wool ground, features borders of paisley motifs framing a field of unexpected large black polka dots alternating with floral lozenges. The effect is still fresh and lively—true serendipity! Large square shawls, originally worn as substitutes for coats or jackets, make a striking interior design statement today. Drape it over your couch where you can enjoy this piece of textile art up close. | |
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#7094 $450 Hand embroidered cutwork panel, c.1900. The exquisite cutwork panel of cotton batiste came from a wealthy New England estate. The upper portion is embroidered with small floral sprigs. I love the unusual melons in the elaborate cutwork design in which are intimations of minarets and harems with the exotic enchantments of the East. The panel has darkened to pale beige, as it was in storage for many years. A good soaking would return it to white. I left it alone because I know that many of you will appreciate the antique finish. | |
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#7030 $985 Square French jacquard paisley shawl, 1850s. The unusual green center is complemented by a strong color scheme softened by an elaborate, all-over woven pattern, creating a rich, subtle effect. The ends are bordered with fringed gates of red, green, blue, and gold. Use this splendiferous shawl to add piquancy to your décor. Drape it over your couch where you and your friends can admire the intricate weave up close—the essence of connoisseurship. | |
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#7073 $750 Chantilly lace shawl, 1860s. With its irresistible allure, black Chantilly lace, associated with the romance of the night, is the perfect medium for the ultra-feminine floral design. The intricate design features delicate tendrils caressing lace flowers, which stretch out their petals, yearning for the sun. The amazing painterly detail in the flowers is memorable. Today on the runways in Paris, Chantilly lace is making a comeback. | |
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#7130 $950 Chinese hand embroidered silk shawl, c.1920. Made from medium-weight ivory silk crepe, the shawl is bordered all around with a 13"-wide border of hand-knotted silk fringe. Each corner of the square shawl is exquisitely hand embroidered with an exotic tree and a garden of flowers in matching silk floss. Birds and flowers are common in embroidered designs. The featured Tree (of Life), however, is rare. The hand embroidery has been carried to the utmost refinement of delicacy. | |
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#7035 $950 Paisley hand loom shawl, 1840s. Hand woven with a blend of wool and silk, the striking shawl catches the eye with its rich tomato red ground and contrasting fuchsia fringed border. The all-over diagonal pattern of floral paisley (boteh) motifs is in shades of green, pink, ochre, and pale blue. It is bordered all around with larger floral bouquets; each corner has a large floral paisley motif. This is the first paisley shawl I've had whose provenance is actually Paisley, Scotland! | |
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#2325 $950 Reserved Tamboured net shawl, early 19th century. In the early 19th century, embroidered nets were as popular with ladies of high social standing as were handmade lace. The shawl is made from fine black cotton machine-made net hand embroidered with delicate tamboured floral sprays. The purity of line and aesthetic restraint of the monochromatic floral design exhibit the artless beauty we treasure today. | |
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#7139 $550 Handmade Honiton lace panel, late 19th century. The extremely fine Honiton lace is assembled from separate floral motifs made by different lace makers. The bobbin lace in our panel is made from delicate beige flax thread. The panel is backed with matching silk chiffon. The panel can be used as a layover pillow sham or draped over the back of your couch, where you and your friends will be able to appreciate its beauty. The rich complexity achievable with the Honiton technique is evident in the intricate, gossamer floral design. | |
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#0408 $650 Juschi silk shawl-size scarf, c.1980. Fashioned from heavy silk crepe and finished with a hand-rolled hem, this is a wearable painting—a brilliant evening accessory. The scarf features a stunning dreamscape of a group of exotic wild fowl. The subtle details reinforced by bold colors make a dramatic design statement. The large shawl size would be ideal over a coat: an emblem of a woman of luxurious and sophisticated taste. | |
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#6722 $450 Sold Assuit shawl, 1920s. Assuit cloth is a cotton mesh fabric embroidered with hammered metal pieces. The metal is wrapped around the mesh, and the ends are hammered under to hold the piece in place. This type of cloth, produced since biblical times, is named for the Assuit region of Egypt, where it originated. The shawl has silver-covered copper pieces on an ivory cotton mesh ground. | |
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#2471 $975 Deco metallic brocaded chiffon shawl, c.1920. Made from burnt orange silk chiffon brocaded with stylized Deco roses, geometric squares, and wavy lines, the brilliant shawl illustrates the pairing of of exoticism and modernity, which was at the core of the Art Deco movement. The ends are bordered with matching hand-knotted silk fringe. There is a haunting, Eastern sensibility in the monochrome motif of squares and wavy lines. The real antique metallic fibers have a mellow glow. | |
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#1088 $1,650 Chinese burgundy satin wall hanging, c.1910. The design is rendered in elegant muted shades of blue, turquoise, silver, rust, gold, beige, and rose against a burgundy background. The central figure is a brilliant bird of paradise resplendent in her proud plumage. Here the colors compete with and complement each other: the ivory with the black; the gold with the aqua; and dominating it all, the splendiferous turquoise tail feather, ending in a tiny fantasy floral star. | |
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#6921 $950 Sold Handmade mixed lace boudoir throw, c.1900. The center medallion of handmade bobbin lace portrays a lady and gentleman in a garden. The panel is surrounded with a larger medallion of fine batiste, hand-embroidered with padded satin-stitch flowers. As the eye moves outward, it encounters an harmonious collection of hand-assembled tape lace, Brussels bobbin lace, and Cluny lace as well as fine embroidery. | |
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#2392 $950 Princess lace wedding veil, c. 1910. The tulle is hand appliquéd with bouquets of princess lace flowers. Princess lace is a delicate tape lace created in the same shapes as handmade Brussels lace. The handwork is superb. The attached wired crown framing the face uses contrasting laces, forming a magnificent lace tiara. The veil is fit for a Princess on her wedding day. | |
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#6816 $950 Normandy mixed lace spread, mid 20th century. The fine hand-embroidered batiste medallions are surrounded by a mixture of lace and needle-run embroidered tulle. With their baskets of spring flowers, the ruffled tulle borders have a winning charm. Here is the best of the new and the old: large enough to be used on a modern bed; while the fine handwork evokes the tranquil beauty of an earlier era. | |
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#7040 $950 Silk damask shawl, 1830s. The damask weave shawl is reversible: a lilac ground with blue flowers on one side and a blue ground with lilac flowers on the other. It was originally folded on the diagonal to form a triangle when worn. The stylized floral pattern is softened by muted ground colors. You can wear it (carefully), or else use it to elaborate your home decor. Antique textiles work equally well in period rooms and as accents in contemporary decors. | |
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#6920 $550 Handmade lace pillow sham, c.1900. The long tubular sham is open on both ends. It is fashioned from oatmeal colored tulle embroidered with floral garlands. On the front are classical, Greek motifs made from handmade filet lace. The center diamond panel is made of hand embroidered batiste with the monogram "KK" also on the front. The ends of the sham are bordered with filet lace. | |
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#4133 $250 Handmade Brussels Duchesse lace wedding hankie, c.1900. Embellished with a wide border of handmade Brussels Duchesse lace, a bobbin lace style developed in the 1850s. Parts were constructed separately with filmy linen stitch or half stitch and then assembled. Leaves were often veined with raised over sewn bundles of threads. In the graceful, flowing design of our hankie, bouquets of flowers and leaves are connected by bobbin lace brides with picot edges. | |
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#4132 $250 Handmade Honiton lace wedding hankie, c.1900. Embellished with a wide border of handmade Honiton lace. The inner portion of the border features Honiton motifs that are hand appliquéd onto a fine net ground. The center of the hankie is sheer cotton batiste. With the intricate border of fine Honiton lace, this is one of the finer hankies you will find. | |
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#4094 $450 Brussels lace scarf, c.1900. The scarf is fashioned from delicate ivory silk damask. With its loosely woven ground, the stylized floral pattern beautifully complements the floral pattern of the handmade Brussels linen lace borders. Brussels was an important center for the manufacture of fine handmade lace in the 17th century, but WWI ended the Belgian fine handmade lace industry, accounting for its relative rarity and expense today. | |
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#4093 $450 Brussels lace scarf, c.1900. Made from delicate ecru silk damask. I love the contrast of the geometric weave with the delicate flowers of the handmade Brussels linen lace borders. This is the celebrated Brussels lace, known for its delicacy, beauty, and expense! Brussels was an important center for the manufacture of fine handmade lace in the 17th century. WWI ended the Belgian fine handmade lace industry, accounting for the relative rarity of Brussels lace shawls today. | |
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#4073 $1,950 Hand-embroidered Kashmir shawl, c.1810. The body of the shawl is fashioned from fine black wool twill. The sides and ends are bordered with hand woven panels. The ends are finished with different colored sections pieced together and hand embroidered with stylized designs. Each end has a unique combination of colors. The whimsical hand-embroidered flowers just above the woven end panels are especially noteworthy. A softly draped colorful shawl, like this one with its exotic pattern, complemented the plain white muslin gowns of the Neoclassical era. | |
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#4071 $1,950 Hand embroidered Kashmir shawl, c.1810. The body of the shawl is fashioned from fine red wool twill. The sides and ends are bordered with hand woven panels. The ends are finished with different colored sections pieced together and hand embroidered with boteh and stylized flowers. There is a hand-embroidered signature by the maker. The key motif is the boteh, known in the West as the paisley motif and thought to be a representation of the growing shoot of the date palm. This superb period shawl was probably hand embroidered in Persia for the Western market. | |
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#4129 $775 Handmade Brussels mixed lace lappet, late 19th century. The design combines floral bouquets of handmade bobbin lace with lace buttonholed rings that are hand appliquéd to a ground of fine net. The oversized lappet is worked in the finest possible thread, curving to accommodate the shape of the intricate floral pattern, and creating an ethereal quality not found in coarser machine copies. The exquisite lappet can be used to fashion a unique wedding veil. | |
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#4033 $750 Hand-embroidered valence, c.1880. The embroidery is bordered with a panel of aqua velvet finished with fancy fringe at the bottom. The hand-knotted silk fringe has delightful silk ball tassels that pick of the colors of the embroidery. The confident insouciance of the brilliant Art Nouveau design will brighten any room. | |
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#7090 $700 Raised beaded net panel, c.1900. The panel likely was originally used in a skirt. The 3-dimensional raised beading is exceptional. The bold floral pattern is executed in jet black glass beads that sparkle in the shifting light. By banishing color from the design, the beading artist has created a scintillating, duo-tonal pattern that imparts a remarkable verisimilitude to this picture of flowers, sprigs, and leaves in bloom. | |
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#6568 $950 Regency silk damask shawl, c.1820. The shawl is reversible with a rose/peach ground on one side and a gold ground on the other. The color is either muted or glowing, depending on the light. The stylized floral pattern, influenced by Kashmir shawl designs in vogue in the early 19th century, is softened by the pastel coloring. The shifting hue—rose to peach—gives vibrancy to this magnificent shawl. | |
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#2417 $3,500 Sold Fortuny Uccelli pattern panel, 1920s-1930s. The dramatic revival of interest in Fortuny fabrics has been a major fashion trend in recent years. The large panel consists of three widths of Fortuny fabric stitched together. The outside edges are finished with a stenciled Fortuny border pattern. The magnificent panel has aged to perfection. The well documented Uccelli pattern, based on a 17th century French design, can be found in the Fortuny literature. | |
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#4029 $1,500 Hand assembled mixed lace shawl, 19th century. The airy lightness of the intricate lace design is a wonder to behold. The shawl has a soft, supple drape. The creative design features an ingeniously crafted ruffle of the top edge, which forms a graceful collar when folded over. The shape was built-in when the tapes were assembled. | |
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#1345 $950 Princess lace wedding shawl, c.1900. The design artfully combines rounded, hand-assembled Princess lace motifs with traditional tape lace; all are expertly hand appliquéd on a fine net ground. In the gossamer pattern, the delicate tendrils joyously curl outward from the flowers, as if in anticipation of the nuptial vows. |